Our current recommendation is to move all media management processes to Davinci Resolve, but if you are still ingesting any media these days with Avid Media Composer you should move to the DNxHR codecs. The beauty of this is that you can bring any frame rate in to any project and work natively throughout. We can then manage the mixed frame rate media appropriately for you in final post.
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This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post
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Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Funda Hassan, who joined us last week!
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Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Natalie Georgoulopoulos who joined us in December 2016!
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This is a basic guide on how to get your Avid Media Composer Project over to us for Final Post.
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This is a basic guide on how to get your FCPX Project over to us for Final Post
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This is a basic guide on how to get your Premiere Project over to us for Final Post.
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Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Katie Kemp who joined us last month!
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Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Phillippa Beasley who joins us today!
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Final post: The Finish Line & Vaudeville Client: October Films Talent: Grade by Zeb and Online by Calum Brief: Complete the grade and online for a 4 x 60-mins series in which explorer Levison Wood treks 1800 miles along the spine of the Americas from Mexico to Colombia.
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