Our talented Finishing Artist, Katie Kemp, graded never-before-seen footage to mark the 20th anniversary of 9/11 for Brook Lapping’s new 90-minute documentary, 9/11: Life Under Attack.

This is a quick demo using DaVinci Resolve and Simon Says

This is a basic workflow or tips for ingesting media via DaVinci Resolve to be used externally in applications like Avid Media Composer. The goal of these steps isn’t to be the perfect workflow for all productions as we customise a lot of this for specific cameras and workflows but hopefully this will help any productions looking to manage their own media to do it in a way that should make the conform process more simple for us when the time comes for final post. If you need to talk to us about a specific project so we can create a more refined template please get in-touch.

Listen to episode 34 of the Pro Video Podcast where Zeb speaks with host Blair Walker about all things final post.

This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post

I just wanted to share this tip for fixing drone footage that has heavy aliasing, it can actually be used for any Aliasing/Moire but we get a lot off the drone cameras. It’s something I have struggled with for a while and haven’t found an easy direct fix within avid, if you find one let me know! I tried replicating this process in Media Composer but it didn’t work so this is my best fix for now and does a pretty much perfect job with every shot I have put through so far.