Every production requires a bespoke solution for editorial; whether they are located at home, in serviced offices, or in the production office, we need to take into consideration a number of variables such as internet speed and location, as well as the data management and security demands of the project. The fundamentals of our craft editing solutions are covered below. Contact our bookings team for pricing and additional information.

We are able to provide synchronous and asynchronous review during our finishing process. The asynchronous approach is preferred as it saves a lot of cost to production by having members of the team review and give feedback on their own time rather than having talent and equipment tied up during the process. It also gives the most reliable viewing experience regardless of internet and network challenges that can inhibit live review. The synchronous option is a great way to quickly spot check changes or adjust elements live when a finer level of control and feedback is required. Our review options are covered below. Contact our bookings team for pricing and information.

The team at EditShare interviewed me recently and you can find links to both interviews here. They also wrote this story about how The Finish Line came to be which I’ve included below.

This is a basic workflow or tips for ingesting media via DaVinci Resolve to be used externally in applications like Avid Media Composer. The goal of these steps isn’t to be the perfect workflow for all productions as we customise a lot of this for specific cameras and workflows but hopefully this will help any productions looking to manage their own media to do it in a way that should make the conform process more simple for us when the time comes for final post. If you need to talk to us about a specific project so we can create a more refined template please get in-touch.

This is a demo of automated ingest, cloud hosted viewing and editing from The Finish Line.

Now with a roster of clients ranging from boutique sizes to as big as Viacom – Can you give us some insight into the company’s history & how it has changed over the years?

We are pleased to announce that The Finish Line has been awarded the DPP’s Committed to Security mark for Production. It’s great to have The Finish Line recognised for our commitment to data security as it’s part of the business we take extremely seriously.

This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post

There has always been plenty of whinging about the lack of Apple’s commitment to professionals but throughout my career I’ve been able to look at what Apple is doing and see where they are taking us. It has always excited me but for the first time I’m a little concerned, so it’s a good time to throw a few solutions into the ether and hope that one or two find their way to the Apple development teams. Here we go…

If you missed part 1 about October Films using FLiP to enable cloud editorial catch up here. Jon Hagan the Edit Supervisor for Spring Cleaning Watch (w/t) said we can share his thoughts two weeks in to using FLiP: