This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post

This is a basic workflow or tips for generating ‘proxy’ media via DaVinci Resolve to be used for editing . The goal of these steps isn’t to be the perfect workflow for all productions as we customise a lot of this for specific cameras and workflows but hopefully this will help any productions looking to prep their own media to do it in a way that should make the conform process more simple when the time comes for final post. If you need to talk to us about a specific project so we can create a more refined template please get in-touch.

This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post

This is a basic guide on how to get your Premiere Project over to us for Final Post.

Every production requires a bespoke solution for editorial; whether they are located at home, in serviced offices, or in the production office, we need to take into consideration a number of variables such as internet speed and location, as well as the data management and security demands of the project. The fundamentals of our craft editing solutions are covered below. Contact our bookings team for pricing and additional information.

We are able to provide synchronous and asynchronous review during our finishing process. The asynchronous approach is preferred as it saves a lot of cost to production by having members of the team review and give feedback on their own time rather than having talent, suites and equipment tied up during the process. It also gives the most reliable viewing experience regardless of internet and network challenges that can inhibit live review. The synchronous option is a great way to quickly spot check changes or adjust elements live when a finer level of control and feedback is required. Our review options are covered below. Contact our bookings team for pricing and information.

This is a basic guide on how to get your Avid Media Composer Project over to us for us to conform for final post.

This is a basic workflow or tips for ingesting media via DaVinci Resolve to be used externally in applications like Avid Media Composer. The goal of these steps isn’t to be the perfect workflow for all productions as we customise a lot of this for specific cameras and workflows but hopefully this will help any productions looking to manage their own media to do it in a way that should make the conform process more simple for us when the time comes for final post. If you need to talk to us about a specific project so we can create a more refined template please get in-touch.

This is a demo of automated ingest, cloud hosted viewing and editing from The Finish Line.

If you are sending a finished programme to us for delivery from Media Composer and we are going to carry out any QC fixes please follow these steps.