Our work on BBC Two's The Speedshop has been featured in several magazines! Read more about what they said here.
Read OnWelcome to the latest installment of our meet the team series, where we get to know the amazing people behind The Finish Line. This time, we’ll be chatting to Head of Picture Dave Stephenson, who joined the studio as a Finishing Artist in 2018.
Read OnThe Finish Line began with a core conviction: Post-production artists can prioritise their mental health and still produce great work. Our founder, Zeb Chadfield’s vision helped create a space where artists can thrive, while growing the business year on year. And, with the mental health crisis impacting the vast majority of post-production professionals, he’s hoping others will follow suit.
Read OnFor remote client monitoring we recommend using NDI Tools with Zoom for sharing as if it were a traditional client monitor. This is built into Media Composer and has the best user experience and will adapt well to any bandwidth constraints that may arise. The installation and setup instructions are below.
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Earlier this year, our founder, Zeb Chadfield spoke to Broadcast about why he believes mental health behind the screen is at crisis levels.
He covered everything from how the proportion of off-screen professionals who’ve experienced a mental health problem at work is at almost 90% - through to how he always tries to prioritise mental wellbeing at The Finish Line.
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Can you imagine keeping calm knowing the tape in your deck will air in just a few hours?
Our talented Finishing Artist, Katie Kemp can. She's delivered shows in every genre from Panorama to Geordie Shore, and for everyone from the BBC to Discovery. She's also had some pretty incredible experiences along the way, including flying to Jamaica to work with Mr. Motivator!
Read OnOur talented Finishing Artist, Katie Kemp, graded never-before-seen footage to mark the 20th anniversary of 9/11 for Brook Lapping’s new 90-minute documentary, 9/11: Life Under Attack.
Read OnAll drives that are shipped around with production data on them should be encrypted. Especially when shipping rushes. Below is the most simple approach to dealing with drive encryption via software when hardware encryption isn’t available.
Read OnNot enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield
Read OnThe Film and TV Charity has relaunched the Looking Glass Survey, two years after the original research project uncovered a mental health emergency behind-the-scenes of the industry, and they need your help. Don’t miss your chance to complete the survey now.
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