Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Ben Lee, who joined us this week!

Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Dave Stephenson, who joined us this week!

Client: World Media Rights Talent: Grade and Online by Luke Dabbs & Jean-Paul Vial Brief: Complete the grade and online of a 6 x 60 minute series which uncovers the true stories upon which some of the most famous, Oscar®-nominated movies of recent years were based, including Goodfellas, Zero Dark Thirty and The Social Network.

Client: Twenty Twenty Talent: Grade and Online by David Grewal Brief: Complete the grade and online of a 6 x 60-mins series set in a four-star hotel with a Michelin-starred restaurant in southern Italy for Channel 4.  Maître d’ Fred takes a break from the show’s restaurant to take over the running of a luxury hotel where he will welcome singletons from the UK on a two-day dating stay.

Client: Boundless Productions Talent: Grade and Online by Steve Alexander Brief: Complete the grade and online of a 4 x 60-mins series presented by Kevin McCloud for Channel 4.  The series explored some of Britain’s most contemporary and cutting edge homes, revealing how they were built and why they are considered some of the best new architecture in the country. Featuring jaw-dropping property from Jersey to Scotland. 

Client: Twenty Twenty Talent: Grade and Online by Steve Alexander Brief: Complete the grade and online for a 4 x 60-mins series using a combination of first hand testimony, archive film and documents. Each individual film discovers the story of different residents of a single house in Liverpool, from the first owner to the present day.

Listen to episode 34 of the Pro Video Podcast where Zeb speaks with host Blair Walker about all things final post.

Our current recommendation is to move all media management processes to Davinci Resolve, but if you are still ingesting any media these days with Avid Media Composer you should move to the DNxHR codecs. The beauty of this is that you can bring any frame rate in to any project and work natively throughout. We can then manage the mixed frame rate media appropriately for you in final post.

This is a basic guide on how to get your DaVinci Resolve Project over to us for Final Post

Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Funda Hassan, who joined us last week!